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Snapchatization 2.0

The name of the game is Snapchatization
mkInsights on core branding principles with broad applicability for any marketer, communications professional and business leader - from our Partner Markus Kramer. Views are subjective and our own. December 13th 2016. © Brand Affairs AG.

The name of the game is Snapchatization 2.0 or indeed and perhaps even better: Snap-Ability. At this stage, there are three pivotal questions that need to be raised: Why is it important for marketers, brand managers and entrepreneurs to understand the Snapchatization 2.0 effect on media consumption? What are the implications of Snapchatization 2.0 on digital PR, social media management and content marketing strategies? What is the impact of this effect on communications in new media?

In just its 4th year of existence, the messaging app ‘Snapchat’ has recently surpassed even Twitter in daily usage.1 There are already 16 heads of state or government that use Snapchat.2 We can presume that some of them may use it to boost their accessibility and transparency, whilst others may simply wish to seem up to date with new media tech environments.

Clearly the recent US election is testimony to what quick and deliberate leverage of the fast-paced (social) media landscape can do. What’s missing is a conversation about the general effect on the rest of the marketing and media worlds.

In order to understand what led to the rapid rise of Snapchatization 2.0 and what its effects will lead to, we need to think of the big picture and reconsider the relationship between new media and culture. The world we live in is made of three types of cultures: Acoustic, Visual, and cultures that balance both. Anthropologist Dr. Edward T. Hall explains some of the attributes of acoustic cultures through the ways that time and space are perceived in those cultures.

He famously proposed that after the Enlightenment and the Scientific Revolution, we shifted from an acoustic culture to a visual one. He said that in an acoustic culture, the world, like sound, is all around you and comes at you from all directions at once. It is multi-layered and non-hierarchical; it has no center or focal point. Visual culture has a perspective—a vanishing point

For example, in acoustic cultures, time is not perceived in the same way as in visual cultures. Time in acoustic cultures isn’t linear, so there is more room for spontaneous, improvisational, go-with-the-flow, imperfect, live-in-the-moment types of communication, in place of over-planned, over-thought, and artificially flawless communication.


Prof. Marshall McLuhan, a media effects analyst, was right when he predicted that the more the world’s media is (electronically)-connected, the more acoustic it will become. So not only are consumers in typically acoustic cultures (China, India, Brazil etc.) moving towards ever-more spontaneous and improvised ways of using social media, but so are consumers in visual cultures (the US, Germany, Canada etc.) and balance-of-both cultures (Italy, Russia, France etc.). Snapchat users are predicted to increase, for example, in the US (a visual culture) by double-digit percentages across this year and the next.3 All of this means that the effect of Snapchatization 2.0 is, fundamentally, an acoustic macro tendency.

Global marketers need to keep in mind that consumers seeking new experiences will communicate their lives more frequently.


This will be most evident in the area of user-generated content, which is generated and shared with the world for a brief moment before disappearing in 24 hours. 2016 was the year when Snapchat unveiled its first hardware product called Spectacles – sunglasses with a camera.4 This product further reduces the time that one needs to take a ‘snap’. Imperfect image and video exchange is becoming a new form of small chat. So the idea of preparing a post and sending it later will be increasingly replaced by live postings, which come complete with all of the imperfections of improvised content. This means that not only will imperfect images and videos be shared more often, but they will also be valued more than they were before. In order to be prepared for this transition, Facebook has begun considering a similar direction with its ‘Messenger Day’, in response to the positive results of Snapchat and Instagram Stories.5


One characteristic of quick, perishable content that digital media strategists need take into account is that the audience of such content is more forgiving. This is because this kind of content is delivered on a fast-paced, single-use and short-lived basis. The web 2.0 has already gone through this ‘forgiving effect’ with regards to the verbal/textual side of social media (even though the text doesn’t disappear in 24 hours). The two-way web’s hypertext led to the colossal rise of imperfect content in blogs, articles and posts online. This was all prior to communication ‘going mobile’. Today, the Snapchatization 2.0 effect isn’t only about text, but all user-generated communications at higher frequency, including rich media.

When it comes to deeper and artistically meaningful content, certain consumers still prefer it to be in-the-moment for reasons that are analogous to those for why some people enjoy a theatre play more than a movie. With the theatre, presence in the moment is part of the appeal because there are no second chances on the stage.


The Snapchatization 2.0 effect will have its biggest impact on the area of personal brand management. Those personal brands that are relevant to the context and environment of Snapchatization 2.0 will need to improve their use of in-the-moment content in order to remain successful. The golden strategy for such brands is tied to the musicological concept of ‘conducted improvisation’. The composer and conductor Lawrence D. "Butch" Morris, who is the originator of this approach, believed that free improvisation can be conducted through rapid interpretation of context. In the case of personal brand management, those that learn how to conduct free improvisation will gain competitive advantage. The in-the-moment content creators that master conducted free improvisation will gradually outperform those that don’t.

It’s important to take into account that certain industries will be more affected by Snapchatization 2.0 than others. So the effect won’t impact on the entire world of commerce. Snapchatization 2.0 is not the only game in town, but the very emergence of this effect makes it clear that we are entering into the next phase of a new media order. In my personal opinion, this is an era where radical transparency will be the new currency. Welcome to tomorrow!




1. Snapchat passes Twitter. Bloomberg https://www.bloomberg.com/news/articles/2016-06-02/snapchat-passes-twitter-in-daily-usage
2. Number of head of state that use Snapchat http://expandedramblings.com/index.php/snapchat-statistics/
3. ‘Snapchat users in US.’ E-Marketer https://www.emarketer.com/Article/US-Snapchat-Users-Will-Increase-by-Double-Digit-Percentages-This-Year-Next/1014378#sthash.vzsuYRFO.dpuf
4. Snapchat’s glasses – Spectacles http://www.theverge.com/2016/9/24/13042640/snapchat-spectacles-how-to-use
5. Facebook’s Messenger Day http://www.androidheadlines.com/2016/10/facebook-debuts-messenger-day-feature-australia.html

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